You know, I can't quarrel with a thing you say in your first paragraph. As to the mixing of the 'well-articulated' with the 'emotional,' that is one facet of my posting style. While that would certainly be a flaw in an academic article, many of my newsgroup readers enjoy it. Further, because of the great difference in background among newsgroup readers, it is impossible to maintain the high-ground with all of them all the time. What gives you high-ground among some will put you on 'low ground' with others. So, I just try to keep them entertained and coming back for more.
But please do not misunderstand that to mean I am insincere. After all, you can mean what you say and still try to be entertaining. I certainly mean what I say when I pose what a reasonable person would see as a serious argument. Further, you are correct about my promoting Symbolism. My doing that is only fair to those many great artists who have been more-or-less neglected for a century. For instance, just ask yourself how much energy and money has gone into promoting the Impressionists for the last one-hundred years. Why? For a number of reasons, but mostly because art dealers knew that the Impressionists had a vast market-potential because of the thematic concerns of their art makes it suitable to so many different kinds of people and in so many situations. So, what is wrong with the long neglected Symbolists getting some much-needed promotion now?
One good example of the neglect showed itself when I did a Google newsgroup search on Carlos Schwabe the other day and came up with very few GEMS (a GEM is a 'Google mention'

. Further, several of those GEMS were from my earlier articles on Symbolism, and most of the others were from some French-speakers. Of course, if you check now there will be a few more based on my posts of the past couple of days, but still